Category Archives: Characters (and their actors)

Eye candy

Pin-up worthy pictures of the women and men of LOST.

Come on baby, light my fire

Fire in Jacob's room in the first scene of The Incident

Fire in Jacob's room in the first scene of The Incident

We see fire in The Incident almost immediately, just a few seconds after the episode begins. This is the fire in the open pit in the center of Jacob’s room, and the camera lingers on it, then turns back to Jacob — and then fire is back in the shot, behind Jacob, and then the fire is again in the foreground, and then it fills the frame.

Cut to Jacob wading waist-deep into the ocean. We’ve gone abruptly from fire to water, which together make up two of the four classical elements — earth, air, fire, and water — of ancient philosophy.

Aristotle assumed all substances to be compounds of four elements: earth, water, air and fire, and each of these to be a combination of two of four opposites, hot and cold, and wet and dry.

Jacob walks back to land with his fish. And there’s a fire. We didn’t even see him making it. When the camera catches a glimpse of it, it was already there.

Almost at the very end of The Incident, we return to where we began — to Jacob’s room, with its central fire, the fire this time augmented with torches ringing the walls. At the end of this scene, after Ben stabs Jacob, NotLocke pushes Jacob’s body into the fire, and then fire fills the frame.

What does the fire mean?

If the four classical elements have anything to do with this story, could the Island be the earth element, and Flight 815 represent the air?

Does the Smoke Monster tie into this in any way? Where there is smoke, there is fire …

Jacob and Esau (the opening of ‘The Incident’)

The first several minutes of the Season 5 Finale, The Incident, were amazing. So many exciting things happened in such a short time — we saw Jacob for the very first time, we saw the Black Rock sailing off in the distance, we heard some puzzling dialogue, and we finally got a glimpse of all of the four-toed statue — all in the first three-and-a-half minutes.

Now, looking back, we can see that those short minutes were tightly packed with clues, hints, symbols, partial answers, and new questions.

I’m going to go back and look more closely at the opening sequence. I want to break it down and look at different aspects in different posts. So it will take longer than just today. But there’s no hurry, right? We have all the time in the world — eight long months (sigh).

Here’s the opening:

Jacob is weaving a tapestry in a room, with a fireplace in the center, that we now know is in the base of the statue. He goes out to the beach, cooks a fish (now we’ve seen fire inside and fire outside), and spots a ship which is too small, at this point, to see clearly.

He is joined by another man. They greet each other. “Morning.” “Morning.” They seem friendly, casual, polite, and evidently quite used to each other, as if this greeting were a part of their daily routines, like co-workers who greet each other every morning when they arrive at the office.

More small talk follows, and now we can see the ship, which has come closer. It’s an old-style sailing ship, most likely the Black Rock, and this is the first definite clue we’ve had that we are now centuries in the past.

And yet, something doesn’t seem right about the time period. There is something about the two men that seems like they belong in the 21st century, not hundreds of years in the past. Maybe it’s their hair styles and the way that they speak. That greeting they just exchanged — “Morning” — seems so casual and contemporary.

Now the dialogue, previously so full of comfortable small talk, gets weird:

Black shirt: How did they find the Island?
White shirt: You have to ask them when they get here.
Black shirt: I don’t have to ask. You brought them here. Still trying to prove me wrong, aren’t you?
White shirt: You are wrong.
Black shirt: Am I? They come. Fight. They destroy. They corrupt. It always ends the same.
White shirt: It only ends once. Anything that happens before that is just progress.

To paraphrase Bill Clinton, maybe the meaning of this depends on what “it” is. It always ends the same. It only ends once. What is it? Outsiders coming to the Island? What is the progress — what are they moving from and what are they moving to?

Now the dialogue gets even weirder … which means it is very weird indeed:

Black shirt (in a casual tone, as if he were talking about what he wants to have for lunch): Do you have any idea how badly I want to kill you?
White shirt (as if he were saying that he does want anchovies on their pizza): Yes
Black shirt (as if saying the pizza place might be crowded): One of these days, sooner or later, I’m going to find a loophole, my friend.
White shirt: (as if asking Black shirt to save him a seat): Well when you do, I’ll be right here.

Do you have any idea how badly I want to kill you?

Do you have any idea how badly I want to kill you?

Yes.

Yes.

And then before we can make any sense of that:

Black shirt: Always nice talking to you, Jacob.

Boing!

Then the camera pans up the statue.

Boing! Boing! Boing!

The pacing of this scene is very interesting. It starts off slowly with the scenes of Jacob weaving and with leisurely shots of him preparing the fish. Then there is that one-two punch at the end, which comes so quickly after the mysterious dialogue that there is no time to even begin to process the dialogue on first viewing.

Black Shirt, who appears only in this opening scene, is never named. While he says, “Always nice talking to you, Jacob,” Jacob simply replies, “Nice talking to you too.”

Around the internet, people have dubbed Black Shirt “Esau,” a clever reference to the Biblical story of the twin brothers. From here on, I will do the same.

So who or what are Jacob and Esau? What kind of beings are they who act so friendly and polite to each other, yet seem to take it for granted that one wants to kill the other?

Is it possible to come up with any theories, or will we just have to wait until Season 6 for more clues?

Lost: A Journey in Time — clip/recap show

I liked this recap show better than the previous one (“The Story of the Oceanic 6”). It’s faster paced, it’s narrated by Michael Emerson, it has commentary by Damon and Carlton, and it actually answers a couple of questions — why Ben killed Locke, and why four of the Losties on Aljira 316 ended up in 1977.

Now, the Finale is about to begin. Wheee …..

EW Interview: Damon and Carlton talk about destiny and time loops

This is a good interview.

My favorite part of the first segment is when Carlton says, Phew! They are done with the time-travel season — and that was the defining characteristic of Season 5 — and Season 6 will be about something different.

Interesting …

In the second part of the video, Damon and Carlton talk about the time loop — and they say that even they get a headache thinking about it! Ha ha ha.

This part of the interview can’t be embedded, but you can watch it on the EW site. Recommended!

There are also videos there, which I haven’t had a chance to watch, about Darlton’s favorite Season 5 moments, and some teasers for the Season 5 finale.

Can Jack change the future?

This official video podcast, the last of the season, shows clips of Kate and Jack from 5×15 Follow the Leader, and also the key moments of the scene from 5×14 The Variable where Faraday says that they themselves are the variables.

Evangeline Lilly says it feels good for Kate to disagree with Jack.

Matthew Fox says that Jack believes that detonating the bomb has always been his destiny, and that completing his destiny is his only salvation.

Elizabeth Mitchell says she loves the theory that dropping pebbles in water changes nothing, but dropping boulders changes the course of the whole river. This is interesting, because she is referring to a part of Faraday’s scene which we didn’t actually see. Damon and Carlton said, in one of their audio podcasts, that the pebble/boulder bit, an analogy for how Faraday thought he could change time, was in the original script for the Faraday scene, but had to be cut because the scene was running too long.

Michael Emerson talks about the smoke monster and the Season 5 finale

I like watching and listening to Michael Emerson in interviews. He is smart and well-spoken, has a nice subtle sense of humor, and speaks in the well-modulated tones of a stage actor.

This interview from TV Guide was done several weeks ago, after the Benjamin-Linus-centric episode Dead is Dead. Michael talked about some things that are coming up in the show. They are not actually spoilers — more like little teases.

He said that we haven’t seen the last of the Smoke Monster.

He called the Season 5 finale shocking and said it was packed with action, with many story lines coming to a head … a really big head. He said we will finally get to lay eyes on certain much talked-about characters who we have never seen before. And, he said, the ending of the ending is an “explosive” one.

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