Category Archives: Locke (Terry O’Quinn)

Recap 5×12 Dead is Dead

Smokie shows Ben faces from the past

Smokie shows Ben faces from the past

Ben, still wracked with guilt over Alex’s death, has come back to the Island to be judged by Smokie, who he calls “The Monster.”

That name could just as easily be applied to Ben himself. Ben is a cold-blooded killer, as we see in both the present storytime and the past via flashback. In the present, Ben shoots Caesar point blank, after manipulating him into attacking John. In the past, Ben tries to kill Penny, who he has never even met, just to get back at her father. He shoots Desmond because he is in the way. Surely Ben is the real monster of this story.

And yet, it’s a testament to Michael Emerson’s skill as an actor that we don’t simply hate Ben. When he tells Charles that baby Alex is not an “it,” Ben seems human, even endearing. When he sees the vision of Alex in Smokie’s lair, and he says her name, the love, and longing, and sorrow, and regret in his voice is heartbreaking.

The episode is almost as much about Locke as it is about Ben. Being dead for a while seems to have done Locke a world of good. It must have been like a little vacation, if we can judge by how refreshed he looks! He’s got his Season One macho swagger back, his confidence, his smile, his twinkling eyes, and his ability to do a magic mind-meld with the will of the Island.

There’s a lot of talk about the Island’s will. Not only John, but also Ben, Widmore, and Alpert all have lines referring to “what the Island wants.” At times, they seem to equate “what Jacob wants” with “what the Island wants.” Does that mean that Jacob is the Island, in some sense?

We see Ben in several stages of his life, and along the way, a few mysteries are cleared up. Charles, with a lot of hair, visits Little Ben and tells him the Island saved his life. Young-man Ben, with a teenaged Ethan, takes baby Alex. Several years later, Alex is in a swing, and Charles is banished from the Island.

In the present, Ben appears freaked out that John is alive, and says that knowing it would happen is different from actually seeing it. Ben and Locke then take the Island version of a buddy road trip. They run into Sun and Lapidus. The latter has had it with dead men walking, and wants to leave Crazy Island. But Sun wants to stay and find Jin. Locke tells her he has some ideas for how she can do that.

Ben lies to Sun, and tells her that “dead is dead” and that he had no idea that Locke would come back to life. Or is it Locke he had lied to, earlier, when Ben told him he knew he would come back — and Sun to whom he is now telling the truth?

In any case, it’s off to the temple, an encounter with Smokie, and the appearance of undead Alex. Strangely, when undead Alex suddenly grabs Ben by the throat, out of all the many topics she could have chosen to discuss with her father during this rare opportunity for communication, she chooses to speak about John Locke.

She says she knew Ben was planning to kill him again, and that if Ben so much as touched John, she would hunt him down and destroy him. She orders Ben to listen to every word that John Locke says and to follow his every order.

That’s quite a good deal for Locke!

Earlier, when Ben was on the porch of his old home with Sun, he heard a rustling in the jungle. He said to Sun, “You may want to go inside. What’s about to come out of that jungle is something I can’t control.” He meant Smokie, of course, but then when it was Locke who walked out of the jungle, Ben’s statement still applied – John Locke is someone Ben can no longer control.

Mysteries solved:

Ben killed John to bring everyone together so they would come back to the Island (or, at least, that’s what Ben said).

Ben took baby Alex to save her.

Ben’s injuries when he boarded Flight 315 were from Desmond beating him up after Ben tried to kill both Desmond and Penny.

Unsolved mysteries:

What’s in the crate on the beach?

How did Ethan come to be with the Others?

Who is Ilana, really? And why did she ask Lapidus “What lies in the shadow of the statue?” and why did she knock him out when he couldn’t answer?

And who was Caesar? Was he just the innocent victim of Ben’s manipulations that he appeared to be? Or did he have a secret role on the Island as well?

Ben and the Smoke Monster (lightened) from screencap by Lost-Media.com (c) ABC

Is Sayid a Jesus figure?

LOST is filled with Christian symbolism. Locke, for example, appears to be the show’s Jesus figure. Told that he would have to sacrifice himself in order to save his people, Locke died, only to rise again.

In the Sayid-centric episode, 5×10 He’s Our You, Sayid also appears to be a Jesus figure, though the signs may be more subtle than they were with Locke.

"Better put him in restraints"

"Better put him in restraints"

Arms outstretched

Arms outstretched

Twelve people vote to execute Sayid:

Amy and the other Dharma-ites vote to kill Sayid

Amy and the other Dharma-ites vote to execute Sayid

Sawyer is a Judas figure (albeit only temporarily), when he appears to join in on the vote to execute Sayid. Then, when Sawyer offers to help Sayid escape, Sayid turns him down, saying that he has finally found his purpose. Sayid, who had spent much of the episode regretting the killing he had done, seems at that moment to want to die for his sins.

Then, of course, the plot takes a twist, and Sayid reverts back to his old killer self. Or does he? At the time I wrote this post, we don’t yet know if Ben is really dead.

Either way, Sayid’s tenure as a Jesus figure appears to have been temporary. But we shall see.

Credit for many of the ideas in this post, especially the observation that there were 12 people who voted to condemn Sayid, goes to epiclogin’s comment on a reddit discussion thread.

Images (c) ABC, via YouTube and Lostpedia.

Michael Emerson talks about the statue, Alpert, Egypt, John Locke, and more

Here’s Michael Emerson (who plays Ben) in an interview last month with the Washington Post:

Liz: Will we find out what the deal is with the four-toed statue?

Michael: You are going to learn more about the world from which that statue came. I don’t think we’re going to see the statue again in context, but maybe. You’ll certainly know from whence it is a relic.

He also repeats the claim I’ve seen before (most notably in a Wikipedia article), that Richard Alpert is not wearing eyeliner:

Liz: Is Nestor Carbonell — who plays Richard Alpert — wearing eyeliner?

Michael: No. But he has a kind of genetic beauty that is a rare thing in men or women. No, that’s what he looks like when he wakes up in the morning. It’s hard not to study his face and admire it.

Ha! But Alpert has a dark line that goes straight across the bottom of his lower lid! Was he really born with that, or is everyone who makes that claim just pulling our leg?

Also from the interview:

Liz: Well you’ve probably just put to rest several theories about Alpert being a transplant from ancient Egypt.

Michael: Ah. Well, hold that thought about Egypt. That’s all I’ll say.

So whether or not Alpert is from ancient Egypt, the statue may very well be.

Emerson also says that he has “some crackerjack scenes — epic, vintage Ben and John Locke coming up — in ways you would never expect.” That’s great! The Ben-Locke pairing is one of my favorites.

There is lots more in the interview, including Emerson’s thoughts on whether Ben is purely evil, or if he’s a good person doing whatever it takes to reach his goal, and what kind of roles Emerson would like to play in the future.

You KNOW, Jack. You know that you’re here for a reason.

In this week’s official video podcast, Matthew Fox talks about the evolution of his character Jack.

The podcast starts with a clip from the Season 4 finale, where Jack and Locke, on top of the Orchid Station, are having another one of their arguments about destiny.

Locke tells Jack that he is not supposed to go home. Jack gets mad and yells, “What am I SUPPOSED to do?”

Then he says, “Oh, I think I remember. What was it you said on the way out to the hatch?”

He is referring to their argument in the Season 1 finale — the same argument that I wrote about in my previous post.

This is a great example of the crazy intricate way that LOST works. A conversation starts in Season 1, then picks up again, three years later, in Season 4, then is referenced on the internet in a podcast in the middle of Season 5.

I think this conversation is coming up in the podcast now because finally, after four-and-a-third seasons of Jack and Locke having the same conversation over and over, something is starting to shift.

In the Season 1 argument, Locke said that Jack may not believe the Island is his destiny, but he will believe it at a later time.

That later time appears to be now.

At the Orchid Station, Jack says to Locke that back at the hatch, Locke had told him that crashing on the Island was their destiny.

Locke says, “You KNOW, Jack. You know that you’re here for a reason. You know it.”

“And if you leave this place,” Locke continues, “that knowledge is going to eat you alive.”

Which is exactly what we saw happen in the flashforwards.

In the podcast, Matthew Fox talks about how Jack has always needed to be in control, but now he is starting to give that up.

I have mixed feelings about that in terms of the dramatic possibilities. I do like seeing Jack’s character develop and grow, but if Jack gives in completely to his sense of destiny, what will happen to the tension between Jack and Locke that has been such an important part of the show so far?

For a reason — Season 1 finale

Each one of us was brought here for a reason.” — John Locke

This is the line that inspired the title of this blog, and it’s a line that sums up the central mysteries of LOST:  Why were the Lost-ies brought to the Island, and who or what brought them there? Locke says the line, or variations of the line, in more than one episode — most memorably in this scene from the finale of Season 1:

The short scene is like a greatest-hits recap of all the lines that lay out the show’s themes. Man of science versus man of faith. The Island brought us here. This is no ordinary place. It’s destiny. A sacrifice that the Island demanded. Jack: “I don’t believe in destiny.” Locke: “Yes, you do. You just don’t know it yet.”

So the groundwork for all these themes was already set in place in the first season. Now, part-way through Season 5, some of them are finally starting to come to fruition.

3/2/09 Editing to add Late last night (actually in the wee hours of the morning), I turned on the TV to see if there was anything on, besides infomercials, that I might watch for a few minutes before I went to sleep. I flipped through the channels, and there was a rerun of an old episode of LOST! About a minute later, the scene in the clip above, part of this post that I hadn’t yet finished, came on! Spooky! Cue Twilight Zone music.

I ended up watching the rest of the episode — the very end of Season 1. Even though I am writing two LOST blogs, I haven’t rewatched many episodes yet — I only became a hard-core LOST nerd recently, as a result of writing the blogs, rather than the other way around. It was interesting to see that piece of the Season 1 finale now — to see Walt so small, to see Hurley freak out when he saw the numbers inscribed on top of the hatch, to remember how it felt to watch that episode the first time, to remember the almost unbearable suspense of wondering what was inside the hatch.

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